Chris
Tegho



Chris is a multidisciplinary artist, creative technologist, and machine learning engineer and their work explores the interconnections between humans, technology, and the environment. Chris is inspired by ecological systems, queer experiences of belonging, and contemporary dance, and their previous work explored the ethical, emotional, and relational dimensions of AI and technology.

In their current practice, they are interested in challenging human-centric perspectives, embracing ecological interconnections, and celebrating the multiplicity of minds, perspectives, and ecosystems through playful and exploratory methods.

In addition to their artistic practice, Chris has developed advanced machine learning solutions for organizations like Forensic Architecture, with work exhibited at the De Young Museum. They have collaborated with artists like Zach Blas on immersive installations such as Cultus (Arebyte and Secession) and Profundior (Berlin Biennale, Hamburger Bahnhof), works which examine AI religiosity and interrogate the extractive data practices underlying AI's rapidly advancing emotional intelligence.

In their practice, they use sound, movement, material, generative models, 3D modeling, and computer vision.

Chris completed a Master's in Machine Learning at the University of Cambridge in August 2017.

ml research interests video language models — few shot learning — generative models — Bayesian modeling — computer vision: video understanding, video generation, object and movement detection

other interests contemporary dance — internal family systems 

residencies


Spreepark International Art Residency (2025), Berlin, Germany

Immersive Assembly Volume 4 (2024), Dreams and Echoes, Mediale, Oxford and York, UK 

work in progress and experiments


Infrastructures of AI — ongoing research and visual essay exploring Big Tech’s AI dominance through improvised Global South infrastructures, accepted for presentation at the Connective (t)Issues Workshop, with Data & Society

Ecological Dialogues — ongoing research, workshop and work on movement, play and technology

Scattered Minds — short film / coded animation exploring multiplicity of the mind

contributions, artwork and commissions

 
When T-Rex Dreams of Mangoes and Figs with Jazmin Morris (2024) —showcase as part of the Immersive Assembly Vol. 4 and Adventures in Consciousness Season at the University of Oxford

CULTUS with Zach Blas (2023) — commissioned by Arebyte Gallery, London, UK, and Secession, Vienna, Austria

Profundior with Zach Blas (2023) — commissioned by Berlin Biennale for Contemporary Art, exhibited at Hamburger Bahnhof

576 Tears with Zach Blas (2022) — commissioned by UP Projects for “This is Public Space” series

Triple Chaser, with Forensic Architecture (2021)—exhibited at Uncanny Valley: Being human in the age of AI, at the de Young Museum in San Fransisco


Machines of Loving Grace, with DJ and producer Sonikku (2021) — music video for single release Lifestyle with Boilerroom TV
— audio reactive StyleGANs video generation

The Doors with Zach Blas (2020) — commissioned by Edith-Russ-Haus für Medienkunst, Oldenburg, de Young Museum, San Fransisco, and Van Abbemuseum, Eidhoven

MELTS INTO LOVE with Xin (2020)— album cover

CAD Conspiracy: Pattern Recognition in Contemporary Art with Mahan Moalemi and Bahar Noorizadeh (2020)— commissioned by the Mosaic Rooms, London


publications


  1. D’Cruz, A., Tegho, C., Greaves, S., & Kermode L. (2022). Detecting Tear Gas Canisters With Limited Training Data. IEEE/CVF Winter Conference on Applications of Computer Vision (WACV). 
    equal contribution

  2. Tegho, C., Budzianowski, P., & Gašić, M. (2018). Benchmarking Uncertainty Estimates With Deep Reinforcement Learning for Dialogue Policy Optimisation. IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP).

  3. Tegho, C., Budzianowski, P., & Gašić, M. (2017). Uncertainty Estimates for Efficient Neural Network-based Dialogue Policy Optimisation. Accepted at the Bayesian Deep Learning Workshop, 31st Conference on Neural Information Processing Systems (NeurIPS).

machine learning work


2022 - 2024
Unitary, London, UK
— Develop and deploy multimodal machine learning models and pipelines for detecting harmful content in videos, images and text


2017 - 2022
Calipsa, London, UK
— Design, implement and evaluate models and software prototypes for object detection and motion detection in videos


Chris Tegho —

Mark

When T-Rex Dreams of Mangoes and Figs with Jazmin Morris 


Showcase as part of the Immersive Assembly Vol. 4 and Adventures in Consciousness Season at the University of Oxford

Inspired by the Google Chrome Dino game that appears only when internet connection is interrupted, this immersive installation explores where consciousness wanders when the machine is in ‘load state’.

By reimagining waiting and anticipation in digital spaces, it reflects on how we process uncertainty, meaning and our relationship with machines. It creates an opportunity for dreams, imagination and creativity in a subtle protest against technologies grasp on our experiences.

Here, in a blend of physical, digital, and subconscious, waiting transforms into art.

This project reinterprets digital extraction and echoes by critically engaging with the hidden infrastructures that shape online experiences, particularly those of waiting, loading, and digital liminality. Every online interaction, including moments of waiting, is connected to physical landscapes where resources are extracted. The project uses the loading state to expose hidden connections, with a sensory experience where glitching visuals and fragmented movements mirror the instability of digital access.

It focuses on the unequal distribution of internet access, particularly in regions affected by the extractive economies of digital industries. While some experience high-speed connections, others are routinely disconnected, left in liminal states of waiting. The presence of mangos and figs challenges the dominance of Western-centric digital environments. These fruits, which thrive in tropical and sub-tropical regions, also serve as subtle references to the extractive histories tied to colonial agriculture mirroring the ways in which data and resources are unevenly extracted.


Photo Credits: Chris Tegho and Jazmin Morris